The direction of photo session. The team:
Roberto San Eugenio: Director of photography and camera operator.
Ruth González Pujol: Assistant camera.
Fede Oliver: Assistant camera and electric.
Marcelino San Eugenio: Electrical .
Roberto San Eugenio began her extensive training as a cinematographer in school and at school TAI EFTI, both in Madrid. Besides director of photography at the Film Institute - IAS in Madrid and Barcelona of scarcity.
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| Roberto San Eugenio and Fede Oliver from left to right. |
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With over twelve years experience as a cinematographer and camera operator for television, advertising, music videos, documentaries and more than 60 films, both in film and video. ;
Roberto, in addition to praise the work of his team during the filming session, comments and anecdotes from filming as the means by which was to create different atmospheres in Session:
"Considering that was my first feature film, I enjoyed all the planes we done. But after two weeks stuck in one location, lighting and recording all sequences outside of the attic in a few days I did enjoy a lot. "
"SHOOT" is a teen horror film with a clear premise for the producer and director: we want a movie American in every way (photo,
art, costumes, makeup, sound, editing, etc). The film follows a group of journalism students shooting a ouija session as a class project. This assumption will lead us to find a language that mixes camera features amateur home video and television with the errors of some students. Two references to this aesthetic are "The project of the Blair Witch" and "REC." From the point of view of the art direction and filming scenes intradiegetic (classic film), our aesthetic reference is "Seven."
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| The set attic of the mansion SESSION. |
Along "session" work several image textures and different languages \u200b\u200b
camera to differentiate both spaces as environments subjective and subjective
suggests the script. A lighting level, we'll go from light to dark,
through the darkness of certain sequences.
"I am pleased to have completed the shooting schedule as we had expected and to ensure that the plans come out almost like we thought, given that you've just rolled many times does not look like it had been thought in advance. I am also pleased to have achieved with so few resources the look we wanted. Still, one is never 100% satisfied with their work, at least I do. "
Maybe at the end of the last day of shooting, but during the process of grading and post start seeing things that are not you love entirely, or you think you could have improved.
's not bad to think that it can be done better things.
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| Fede and Ruth during a break in session. |
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| dim lighting during the filming of SESSION. |
